I saw Christopher Nolan's, The Odyssey this week, and I remembered this poem I read years ago by a major figure of modern Greek literature, Constantine P. Cavafy.
It speaks to me as I grow older that it is better to travel hopefully than to arrive:
Ithaka
By C. P. Cavafy
As you set out for Ithaka
hope your road is a long one,
full of adventure, full of discovery.
Laistrygonians, Cyclops,
angry Poseidon—don’t be afraid of them:
you’ll never find things like that on your way
as long as you keep your thoughts raised high,
as long as a rare excitement
stirs your spirit and your body.
Laistrygonians, Cyclops,
wild Poseidon—you won’t encounter them
unless you bring them along inside your soul,
unless your soul sets them up in front of you.
Hope your road is a long one.
May there be many summer mornings when,
with what pleasure, what joy,
you enter harbors you’re seeing for the first time;
may you stop at Phoenician trading stations
to buy fine things,
mother of pearl and coral, amber and ebony,
sensual perfume of every kind—
as many sensual perfumes as you can;
and may you visit many Egyptian cities
to learn and go on learning from their scholars.
Keep Ithaka always in your mind.
Arriving there is what you’re destined for.
But don’t hurry the journey at all.
Better if it lasts for years,
so you’re old by the time you reach the island,
wealthy with all you’ve gained on the way,
not expecting Ithaka to make you rich.
Ithaka gave you the marvelous journey.
Without her you wouldn't have set out.
She has nothing left to give you now.
And if you find her poor, Ithaka won’t have fooled you.
Wise as you will have become, so full of experience,
you’ll have understood by then what these Ithakas mean.
The road, a winding twisting cornucopia of experiences never ends. A journey from youth to old age and eventual death of this life's form. But the energy of life never ends. It simply passes to the next life form as the sacred energy of life travels on. With a new cornucopia of phenomenal experiences.
ReplyDeleteRegarding the movie... it seems as if Devyn Dalton was Damon's stunt double and her biceps were his bicep doubles for the movie.
ReplyDeleteThe Magic of Hollywood.
Damon freely admitted that his double in the scene with the Laistrygonians was a woman. And that’s because of the way Nolan set up the scene without using CGI, using what is called “ forced perspective.”
Deletets eliot, "The Wasteland" (excerpts)
ReplyDeleteMadame Sosostris, famous clairvoyante,
Had a bad cold, nevertheless
Is known to be the wisest woman in Europe,
With a wicked pack of cards. Here, said she,
Is your card, the drowned Phoenician Sailor,
(Those are pearls that were his eyes. Look!)
---
IV. Death by Water
Phlebas the Phoenician, a fortnight dead,
Forgot the cry of gulls, and the deep sea swell
And the profit and loss.
A current under sea
Picked his bones in whispers. As he rose and fell
He passed the stages of his age and youth
Entering the whirlpool.
Gentile or Jew
O you who turn the wheel and look to windward,
Consider Phlebas, who was once handsome and tall as you.
Phlebus (the Phoenician Merchant Jew) or Philebus, the Greek Plato "On Pleasure")
DeleteJew or Gentile? Right Accelerationism or Left Accelerationism?
I say neither. Neither Charybdis or Scylla. Unconditional accelerationism. The quiet center of the Vortex. The Eye of the hurricane. No pilot can steer between them. The vortex will take you into its' center. Death by Water?
T.S. Eliot's 1922 poem "The Waste Land" concludes with the Sanskrit phrase "Shantih shantih shantih," which is interpreted as a formal closing from the Hindu Upanishads representing a deep, spiritual peace. The final section also features the "DA" commands—Datta (give), Dayadhvam (sympathize), and Damyata (control)—which signify essential, transformative virtues needed to overcome ego, isolation, and chaotic disorder.
Laistrygonians, Cyclops,
ReplyDeletewild Poseidon—you won’t encounter them
unless you bring them along inside your soul,
unless your soul sets them up in front of you.
Symptoms of Odysseus' PTSD
He had to exorcise them in order to return home to Ithaca Just as he had to exorcise the suitors once he arrived. The gods protect guests, beggars, and drunken sailors...unless they too violate the laws of xenia. ;).
Whom the gods would destroy they first drive mad.... (ala Ajax)
This was also covered in Joseph Campbell’s “ The Hero’s Journey.”
DeleteAI on Campbell's journey (ala Nolan):
DeleteThe Cure: Integration or Destruction
In the Hero's Journey, there are only two ways out of repressed trauma:
Integration (The True Return): The hero accepts the trauma. Cobb lets go of Mal's projection, admitting she is just a fragment of his imagination. He is finally allowed to go "home."
Fixation (The Tragic Hero): The hero chooses the lie over the truth. Leonard chooses to keep hunting John G. Robert Angier (The Prestige) keeps drowning clones of himself. They become monsters themselves, trapped in a hell of their own design.
The Hero needs to do the necessary Jungian "Shadow work" or he'll remain trapped. It took Odysseus 20 years...
"Whoever fights monsters should see to it that in the process he does not become a monster. And if you gaze long enough into an abyss, the abyss will gaze back into you.” - Nietzsche (BG&E)
DeleteThe Left and Right do a LOT of monster fighting, don't they?
I think Poseidon (Pathos) is winning his battle against Athena (Logos)...
DeleteIn both the Odyssey and Iliad, we discover five structures of obligation, identity, and heroic action. Hospitality (xenia) is the reciprocal obligation between host and guest. The host provides food and shelter for the stranger before inquiring into his intentions. The stranger is expected to receive the hospitality freely. The household (oikos) was a place of hierarchical order and obligation. Every member had their place, and each place had imbedded in it longitudinal and latitudinal obligations.
ReplyDeleteDon't ever let your oikophobia get the best of you. ;)
Even if you need an occassional hiatus from responsibility.
Willie's companion song to On the Road Again: It's All Going To Pot.
DeleteAnd what a ride it was!!
“Zeus's Law" refers to xenia, the ancient Greek sacred code of hospitality, protection, and reciprocity enforced by the god Zeus Xenios. It requires hosts to feed, shelter, and protect travelers before asking their names, while demanding guests show mutual respect.”
DeleteThink of me as a drunken sailor and I'll, of you, the sloop John B.
Delete@ Les... Unconditional Accelerationism (not fully automated luxury communism) ;(
Delete